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#15MF2022

Mitsune 蜜音 - Hazama
02:55

Mitsune 蜜音 - Hazama

A stop motion paper cutout animation for Mitsune track 'Hazama', created by Mitsune band member Tina Kopp. The video was made from thousands of photographs taken in Tina’s DIY home animation studio in Berlin, and consists of original character artwork created from linocut by band member Shiomi Kawaguchi, and handpainted scene artwork from Berlin acrylic & mixed media artist Sabine Sikora. The video explores the theme of “hazama” (Japanese for “in between”), the sense of being in limbo or between worlds. This word aptly describes the band’s experiences as a cross-cultural group, each member with entirely different backgrounds and cultural stories. Through music, they are unified and find a common place – in the ether, the abstract dreamspace where music exists. Director’s statement (Tina Kopp): “After Shiomi finished her artwork for the album cover I instantly wanted to bring these figures to life and let them present our music. With stop motion animation, we had the chance to dive into the feeling of being in limbo, of getting lost and fitting pieces together, of finding a space of belonging where we couldn't have imagined before. And even the Moon Rabbit that is referenced in the lyrics at the end gets a special appearance. All three of us contributed ideas and handcrafted pieces to this music video and Sabine Sikora's scene artwork transposes everything into a universe of its own.” Directed by: Tina Kopp Animation & DOP: Tina Kopp Edit: Tina Kopp Character Artwork: Shiomi Kawaguchi Scene Artwork: Sabine Sikora Assistants: Youka Snell & Shiomi Kawaguchi Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media. If you like this video, please feel free to hit the thumbs up and subscribe to our channel 😊✨ Follow Mitsune: https://www.mitsune.de https://www.facebook.com/mitsune.music https://www.instagram.com/mitsunemusic
D.$AHIN - Uzun ince/ Intro in Emin - Live in my living room
06:43

D.$AHIN - Uzun ince/ Intro in Emin - Live in my living room

"Uzun ince/ Intro in Emin - LIVE"stream & download here: https://dsahinmusic.bandcamp.com/ More from D.$ahin: Web: http://www.dsahinmusic.com Instagram: https://www.instagram.com/dsahinmusic ---- "Uzun ince bir yoldayım" is one of Aşık Veysel's best known works and is still popular among fans of Turkish folk music.[1] (Wikipedia) After my dad passed away in summer 2019 this song made it from my subconscious into my active mind, as it was aimlessly floating around in my brain - waiting to be left free. So I learned it on guitar and started performing it here and there. It took it´s own time to develop and a while after I was inspired to add an english verse. "Intro in Emin" was supposed to be an Interlude. I was thinking about some choirs and some interesting progressions.It became three things: 1.) The song where I finally learned the technique of palm-muting on guitar. 2.) a full song over the years while performing it solo in various settings. 3.) an expression of lingering confusion about the state of the world and an understanding of my own neurodiversity. This performance was supposed to be that: a performance. Then I decided to release it. Because I like the rawness of it. UZUN INCE Uzun ince bir yoldayım Gidiyorum gündüz gece Bilmiyorum, ne haldayım? Gidiyorum gündüz gece Gündüz gece Gündüz gece Gündüz gece hey Dünyaya geldiğim anda Yürüdüm aynı zamanda İki kapılı bir handa Gidiyorum gündüz gece Gündüz gece Gündüz gece Gündüz gece hey Ever since I have been around All the treasures I´ve lost and found Every memory I recount Time is endless Non-linear Time is endless Non-linear Non-linear hey INTRO IN EMIN I don´t understand How this world operates Am I acting my fate Am I here to create Gotta be navigating All these unsaid rules Is it me is it you Acting like a fool But it´s okay If I´m misunderstood It´s okay If I´m misunderstood It´s okay if I remain misunderstood ´cause in myself I feel powerful Powerful Powerful Powerful It comes down to what I see It comes down to what I see Don´t you dare to tell me How to live reality It comes down to what I see It comes down to what I feel Don´t you dare to tell me How to live reality ------ Uzun İnce Bir Yoldayım: Written by: Aşık Veysel Intro In Emin: Written by: D.$ahin DOP & Editing: Dico Baskoro https://www.dicobaskoro.com/ Recorded, arranged & mixed by: D.$ahin
AŸA - Let Me Go (Official Video)
05:17

AŸA - Let Me Go (Official Video)

Instagram: https://www.instagram.com/aya.loveu/?​... Tiktok: https://www.tiktok.com/@ayaloveu?lang=en Facebook: https://www.facebook.com/ms.ayaofficial/​ Spotify: https://open.spotify.com/artist/2AIA3IcIw6yGUoXd6cuaAr?si=xS7fTPk-Q9K5o1U1VKckCg MUSIC WRITTEN, COMPOSED, AND PRODUCED BY Lukas Thielecke & AŸA MASTER BY Antony Ryan Cast ARTIST AŸA AERIAL ACROBATS Tim Kriegler, Remi Martin, Oskr Mauricio, Andrea Matousek , Mona (Simone) Tesch, Laura Borkowski , Giulia Reboldi, Julia Grote DANCERS Phoenix Chase-Meares, Beverly Renekouzou, Medhat Aldaabal, Andrea Gålad, Lena Kilchitskaya, Sintija Žīgure, Janan Laubscher, Laura Guy, Astan Meyer, Exocé Oob Kasongo, Stella Tsompanopoulou, Suzette Sagisi, Lee-tom Michaely, Aurel Cédric, Eirinaios Moutiampas, Shar Adams, Adriana Berroteran Crew EXECUTIVE PRODUCER Avia Shoshani & Tim Kriegler DIRECTOR & CONCEPT Shay Tova Govhary Saldis DIRECTOR OF PHOTOGRAPHY Peter Bromme CO-PRODUCER Olivia Stubbe EDITOR Nina Ijäs COLORIST Sarah Salzmann UNIT 1 1ST ASSISTANT DIRECTOR Kristine Bogan 2ND ASSISTANT DIRECTOR Tatianna Peckham 1st ASSISTANT CAMERA Kimani Schumann 2st ASSISTANT CAMERA Svea Rose GAFFER Omar Zaki BEST BOY Diego Garçia Gardo ELECTRICIAN Linus Berberich, Álvaro jazz LIGHTING ASSISTANT Ali Farrokhian SCRIPT SUPERVISOR Soy Kim CHIEF SET DESIGNER Hannah Siegfried SET DESIGNER Shauna Sheridan SET ASSISTANT Sedric Perry ARTISTIC RIGGING ADVISOR Flo Zumkehr RIGGER Oskr Mauricio, Remi Martin,Andrea Matousek, Lukas Köster COSTUME DESIGN IAmFlorianSchulze COSTUME ASSISTANTS Nadia Petković, Damian Ohl, CHIEF HAIR AND MAKEUP Maria-Loreen Petatz MAKEUP ASSISTANT Yousif Saleh, Hassan Dib, Nadia Petković UNIT MANAGER Yael Nachshon, Katerina Stanishlevikj, PRODUCTION ASSISTANT Minne Koopmans, Hannah Schorch, CRAFT SERVICES Emiliano Bombieri-Morales CRANE OPERATOR Elmar Bassen MOVEMENT DIRECTOR Sada Mamedova PHOTOGRAPHER BTS Celeste Call, Maroody Meirav LOCATION Kraftwerk LOCATION MANAGER Elmar Bassen UNIT 2 CO-PRODUCER Olivia Stubbe 1ST ASSISTANT DIRECTOR Yoav Rolef 2ND ASSISTANT DIRECTOR Laura Gönczy 1st ASSISTANT CAMERA Svea Rose 2st ASSISTANT CAMERA Bethania Medina GAFFER Omar Zaki BEST GIRL Anke Riester ELECTRICIAN Abhishek Kolge, Elisa Daniel LIGHTING ASSISTANT Friedrich Johansen CHIEF ART DIRECTOR Gustavo Havelange SET ASSISTANT Valentino Rentz ARTISTIC RIGGING ADVISOR Tim Kriegler RIGGER Elke Uhd COSTUME DESIGN IAmFlorianSchulze JEWELRY DESIGNER Luise Zücker , Joanna Andrioli CHIEF HAIR AND MAKEUP Sarah Hartgens HAIR & MAKEUP ASSISTANT Maria-Loreen Petatz UNIT MANAGER Irem Avci PRODUCTION ASSISTANT Chilli Dilek HEALTH & SAFETY CORD Lukas Choque VFX Valentino Rentz TRAILERS EDITOR Víctor Candela MOVEMENT DIRECTOR Lauren Pringle PHOTOGRAPHER BTS Philomena Wolflingseder DRIVER Martin Winter LOCATION Musikbrauerei LOCATION OWNER Jens Reule Dantas LOCATION MANAGER Iven Hausmann Special Thanks To Carlos Zaspel, UFO Filmgerät, HEY NA! GmbH, Shev-Event, Cellophane Films, Daniela Valdés © 2022 AŸA
Berlin Must Go On! Session #1 // Perperúna Female Polyphonic Ensemble
21:41

Berlin Must Go On! Session #1 // Perperúna Female Polyphonic Ensemble

Berlin Must Go On! is a initiative between Artistania e.V. and Rotbart to keep the creative scene of Berlin alive. Our sessions are presenting artists from the Berliner art scene which in time of Corona have lost the possibility to perform live.The aim of the project is to support the local Berliner cultural and social places of Artistania e.V. and Rotbart, which provide stages for these artists and to continue to present great performances despite the lockdown. The project is supported by Initiative Musik Programm Live 100 More about Artistania: www.artistania.org https://www.facebook.com/artistaniaEV More about Rotbart: http://www.rotbart-rixdorf.de /https://www.facebook.com/rotbart.rixdorf You can support our places and projects with a donation: Artistania e.V. IBAN: DE 08430609671143529600 BIC: GENODEM1GLS Or become a Patron on: https://www.patreon.com/artistania Production-Team: Production/Booking: Claire Chaulet //www.clairechaulet.com Saba Tsereteli // www.sabatsereteli.com Martin Ducreau // www.thymart.org/ Camera: Joseph Devitt Tremblay // www.thatlightwriter.com Álvaro S. Rodríguez Sound: Miles Delaco Visuals and Stage Design: Saba Tsereteli and Martin Ducreau Editing: Claire Chaulet Special thanks to Jamila Al Youssef. More about Perperúna: www.facebook.com/Perperuna.Ensemble https://perperuna.webnode.com/ The women from Perperúna are migrating birds from 5 countries: Greece, Germany, France, Israel & Spain. They are coming together driven by their common passion for Greek and Balkan polyphonic traditions.They explore the symbols, languages and dialects, myths and tales, melody and structure of songs that have been accompanying generations and generations of people in the celebration of life and expression of love, in the working-field, in migration, in the time of war, in the mourning of death, in the praising of nature.“Perperúna” is a female symbol, an archaic tradition, that survives in the Balkans and refers to a ritual that local women in rural areas are carrying out in times of drought, to ask “god(s)” to pour rain and make the fields and trees spring… GEMA-Licence Kundennummer: 402600002090
Communion – Tabitha Swanson
02:31
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GOTOPO: Malembe - Official Music Video
04:08

GOTOPO: Malembe - Official Music Video

Listen to my new song: 'Maravilla En La Desgracia': https://ffm.to/5br73rk Stream my debut song 'Malembe': https://ffm.to/7kqqn98.oyd Written and produced by Gotopo 'Malembe' paints with elegance three periods of Latin America: Pre-Hispanic, Colonial and Post-colonial. Painted through the eyes of 3 epic Women: BACHUÉ, head goddess of ‘The People of Gold’, The Muisca Empire (Colombia, 1200–1500 CE) MARIA LIONZA, Godess of ‘Espiritismo’ and ‘Santería’, born in the colonial era; (Venezuela, 1800CE). IEMANJÁ, Yoruba goddess who came to America though the Transatlantic Slave Trade; (Africa-America, 16th to 19th Centuries) Follow Gotopo: Spotify https://open.spotify.com/artist/0rmwkyTOL6DJ3GISXikmUF?si=I6Ng5662RHeiNd3_FS2qdA Instagram https://www.instagram.com/gotopo_official/ Facebook https://www.facebook.com/GotopoOfficial/ I want to dedicate this piece of art to: Indigenous peoples and their millenary wisdom, key on paving the path towards a sustainable and harmonic world. All Badass Latinas & Africanas! Daily life goddesses: woman of the favela, single mothers, immigrants, warriors; the ones who make miracles happen every single day. All Post-colonial nations, and the resilience of their peoples. . Directed by: Juan S. Jimenez @juans.jimenez Produced by: Hayllen Sanchez @elenimomox Director of Cinematography: Diego Gardo @yodiegogardo Production designer: Ana Alarcon @lark.an Reparto: Gotopo Lisa Cervantes @afrodita_jj Luis Alfaro Rosaana Velasco Richard Orozco Asistente de Dirección en el Set: Aya Heykal @aya_heykal Asistente de Producción en el Set: Tugana Koc Gaffer: Braden Harris @braden.co.uk Asistente de Cámara: Filipa Ek S Ekeroth @f_ek_s 2do Asistente de Cámara: Ammar Mor @theammar_mor 2do 2do Asistente de Cámara: Syed Hussin @syed_hussin Asistentes de Arte: Pauline Bensen @pinebaum y Efraín Antonio Arias @picture_and_film_productions Pintura Corporal: 1. Katherine León García @kath_loewe 2. Jeff Hallman @jeffreyleehallman Estilista: Gema Dietrich @gemasugarbabe Vestuarista: Corina Bufano Videógrafa detrás de escenas: Celine Alisha @celinealisha_ Foto Fija: Hewád Laraway @heywhat Editor: Juan S. Jiménez Colorista: Nadia Gomez @nadia.khairat Agradecimientos Especiales para: Kalaf Epalanga & Paul dolby aka Seiji; dear friends, mentors, visionaries and inspiration. Bianca Pick @Bianca_katherine Mariam Rasheed @mariamrasheed Arwa ElShahawy @arwaa97 Tarja Schmitt @taia_dya Veronica Wüst, Tatianna Peckham Comunidad Por Venezuela en Berlin SAE Institute Berlin @sae.institute.berlin Abdulsalam Ajaj Mischa Badasyan Angie Lora Rojas @doodlesbyangie Fabian G. Reyes @fabamadeus
M I K E Y. Woodbridge - LOVE LEVITATION
04:28

M I K E Y. Woodbridge - LOVE LEVITATION

'Love Levitation' available on MIKEY.'s debut EP 'PATHS' - OUT NOW!!! iTunes http://hyperurl.co/lqh0c7 SPOTIFY https://open.spotify.com/album/2fzU2M... MORE M{(I)}KEY. https://www.mikeywoodbridge.com https://www.instagram.com/mikeywoodbridge https://facebook.com/mikeywoodbridge https://soundcloud.com/mikeywoodbridge Interview & premiere via http://www.kaltblut-magazine.com/interview-video-premiere-mikey/ Filmed by Danny Feng - https://www.hellodannyfeng.com Costume by Don Aretino - https://www.instagram.com/don_aretino Art Direction - Tomas Eyzaguirre https://www.instagram.com/tomeyzaguirre Styling - MIKEY. Music Production - Jane Arnison & MIKEY. Studio Engineer & Mixing - Jane Arnison Mastering - Mike Grinser @ Manmade Mastering, Berlin Recorded at Red Bull Studios Berlin Lyrics Catch me catch me catch me if you can. Do you make your own rules, & break everybody elses. I'd rather fuck myself, before i fuck another self-less self. I dont want a man... I need a monster. If I had a man... must be a hunter. Catch me catch me catch me if you can. I'm not the weaker girl i was back then. Ima need a bad motherfucker like me. Must Transcend conformity. You can call me, when, your dick grows wings You can call me, when, your dick grows wings Call me, when you're beyond evolving. When you can levitate where i am. Surpass discrimination. when your not seeking validation, To my elevated freedom, On my love levitation.... Call me when you're him. only when you arrive, on my love Levitation..... Only when you arrive, Call me then! Exceed your limitations Middle finger up to this world's expectations. I'd rather talk to myself, Than justify myself to one more self-less self. I dont need a man... I deserve a God. It's not too much to ask for, Is not much to want more! Catch me catch me catch me if you can. I travel dimensions while you scratch your head. I need a bad motherfucker like me. Must Transcend conformity. You can call me, when, your dick grows wings You can call me, when, your dick grows wings Call me, when you're beyond evolving. When you can levitate where i am. Surpass discrimination. when your not seeking validation, To my elevated freedom, On my love levitation.... Call me when you're him. only when you arrive, on my love Levitation..... Only when you arrive, Call me then! We'll make love, levitating. Make love levitating. Love Levitation© written by MIKEY. Woodbridge

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